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43-12-30 Trial Visit Trial Visit

STARRING: ART VAN HARVEY, BERNARDINE FLYNN, DAVID WHITEHOUSE AND CLARENCE HARTZELL
This could be Roy...
  • Fletcher has stopped by to announce that Roy Dejectedly will visit  him one night next week rather than next month.  He's also going to visit with Parker Gibbs in Dismal Seepage, Ohio one night.  The idea is that Roy will then decide where he'd rather spend a week next month.  He'll test the beds and meals provided in both places and then make a decision.  Sade is outraged at this rudeness. - compiled by Barbara Schwarz, edited by Jimbo Mason
SEE THE SCRIPT (part 1) (part 2)
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No one ever accused Sade of liking Roy Dejectedly; as a matter of fact, she probably doesn't like him.  The occurrences in this episode may be the impetus of that.  He's plain rude.

Trivia:

+ Russell talks about climbing into a barrel of Bibles... Rush, also talked about the same thing. (See: 40-03-25 Smelly Clark's Big Date) and on other occasions as well.

+ Uncle Fletcher threatens to get a switch and thrash Russell. Times have sure changed...

+ Vic was in the cellar polishing his lodge sword.

+  When I was a kid growing up in Texas, when someone talked at the same time you did and was saying the same thing you were saying, we called that a 'jinx.'  And whoever said it was a jinx first made the other person buy them a cream soda.

43-12-21 Uncle Fletcher Asks for Lodging for Himself and Roy Dejectedly

STARRING: ART VAN HARVEY, BERNARDINE FLYNN, DAVID WHITEHOUSE AND CLARENCE HARTZELL
  • Fletcher: "…like Ernie Fadler's brother-in-law there in Quincy… originally lived in Mayfield, Kentucky.  In fact he married a Mayfield, Kentucky woman.  Tell ya the honest truth, it was a woman way over thirty years old.  Well sir, Ernie's brother-in-law had always wanted to live in Quincy, Illinois because of his fondness for the Ohio River.  You'll hafta pardon me, Sadie.  I'm mixed up with another half-wit.  I got Ernie Fadler's brother-in-law confused with Art Voocherley's brother-in-law.  It was Art's brother-in-law married the thirty year old Mayfield, Kentucky woman and moved to Quincy."  
  • Sade agrees to let Uncle Fletcher and Roy Dejectedly use the spare bedroom.
  • Fletcher: "Martin Jordle there in Sycamore was a farmer seven miles northwest of Sycamore, and he was bothered by too many people coming out for supper evenings. they'd come out from Kingston and Kirkland and Genoa there in droves for supper.  See, Martin's wife Alvira was such a delicious cook.  Know what Martin done to curb that heavy run of moochers?  He bought twenty-seven fierce bulls.  He set them twenty-seven fierce bulls to grazing in his front yard. the number of people coming out for supper evenings dropped off something wonderful.  Martin Jordle of Sycamore, Illinois could talk the language of the horse.  ‘Give me a match, Walter,' he'd say in horse-talk and his horse would scratch around in the stable looking for a match." - compiled by Barbara Schwarz, edited by Jimbo Mason
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There was a real Martin Jordle; he was the man who took care of Paul Rhymer's farm (in the story told here, Jordle is a farmer as well.)  I'm assuming he really did have a wife named Alvira.

The Jordles show up now and again in Vic and Sade lore, and  they are always doing something crazy. They led fascinating lives and I suggest you look them both up at the Character website.

43-12-14 Misery in Dismal Seepage, Ohio

STARRING: ART VAN HARVEY, BERNARDINE FLYNN, DAVID WHITEHOUSE AND MERRILL MAEL
  • Vic: "It's simple as a horse, Sadie. The towns of Dismal Seepage, Ohio and Sick River Junction, Kentucky have this keen athletic rivalry.  They play some game called, "Misery" on January the twenty-sixth, a date commemorating the tragic disappearance of the entire town of Spider Plague, Missouri, which sunk without cause into the muddy waters of the Wretched Indian River during the coldest winter ever experienced in…"
  • Uncle Fletcher: "I like the noon-hour – always did.  Sade, I expect you remember Art McSwitchel there in Belvidere and his opinion on the noon-hour.  This was Art McSwitchel – not Frank."
  • Fletcher refers to Vic's friend "Mary" Greetcham, the Mayor of the City.  Vic: "His name is not 'Mary.'  His name is Robert.  Robert S. Greetcham.  Mayor Robert S. Greetcham."
  • Fletcher wants Vic to ask the mayor for advice on his intention to sue the Little Tiny Petite Pheasant Feather Tea Shoppy.  He had ordered three weenie sandwiches, and the waitress neglected to put the condiments on the counter.  He was visiting with Ernie Fadler and ate all three weenies and then realized he hadn't added condiments.  Vic says Fletcher has no case.  Uncle Fletcher wants Vic to get "Mary's" opinion.
  • Finally Vic gets to explain to Sade:  the members of the lodge's All-Star Marching Team have been asked to go to Dismal Seepage, Ohio for the game of "Misery" because everyone on the Sick River Junction team has died and the marching team is needed to substitute for the deceased. - compiled by Barbara Schwarz, edited by Jimbo Mason  

SEE THE SCRIPT
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What's amazing is we have a tragedy - where the local holiday in Dismal Seepage is termed, "Misery" - and while Vic and his Marching Team are making plans to go to be a part of the remembrance, Uncle Fletcher (who we know was Merrill Mael in this episode) is oblivious to it all.

Look at the names of the places:
Dismal Seepage
Sick River Junction
Spider Plague
Wretched Indian River
Bill Idelson said this about grim situations and writer Paul Rhymer: (((HEAR)))

The concept of suing others in this show does not go unnoticed.  Blue Tooth Johnson once wanted to sue the Bijou and had done so previously (without luck.)  Rush also had a lawsuit all worked up in his head one time.  And now, Uncle Fletcher may sue over his three weenie sandwiches, sans condiments.

Uncle Fletcher previously referred to Mayor Greecham as "Mary" in this episode.

This episode was wonderfully recreated by the Radio Enthusiasts of Puget Sound in 1994 and can be heard here:  (((HEAR)))

Thanks to them.

SEE THE SCRIPT  (very large, be patient when loading)

43-xx-xx Rishigan Fishigan Gets Married

Clarence Hartzell (Uncle Fletcher) once told a brief story about Rishigan Fishigan that was neither left to us via an audio episode or found in the scripts or notes.  The story goes something like this:
Rishigan Fishigan (from Sishigan, Michigan) got married to Jayne Bayne (from Payne, Maine.)  They wanted to spend their honeymoon in the Bright Kentucky Hotel but the penthouse had no stairs going up to it.  The only way to get up to the penthouse was to shinny up a drainpipe -- and no self-respecting woman is going to want to shimmy up a drain pipe.  (((HEAR)))
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We have evidence of penthouse atop the hotel being built in July of 1943.

The title is one I made up for identification purposes only.

xx-xx-xx Howard Goes on Vacation

An audio story from Jean Shepard, which goes something like this:

Uncle Fletcher comes in the Gook house and he is kind of down in the dumps.

Vic: What's the trouble?

Fletcher:  Well, I was riding on the garbage wagon today with Gumpox...

Vic: So... What's the trouble?

Fletcher: Howard's on vacation.

Vic: Howard?

Fletcher: Yes, Mr. Gumpox' horse.  He's visiting relatives in Detroit. 

Vic: Oh go on.

Fletcher: So, there was a substitute horse today.

Vic: How did that go?

Fletcher: Well, his name is Chester.  He's not friendly.  [pause]  You know Vic, Howard is on a diet.

Vic: You don't say. Howard the horse is on a diet?

Fletcher: Lost 300 pounds last month.

{{{HEAR}}}
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Jean Shepard tells a great story.  It's too bad we don't like a couple thousand more of these.

This seems like it might be one of the funnest stories ever.

The title was give by me only so that we could identify it.

43-12-09 Winter Picnic Plans

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE
  • B. B. Baugh calls, suggesting a winter picnic.  Vic (at end of call): "Bee bee, bye bye – I mean Bye, bye, B. B."
  • Vic tells Sade and Russell they're not invited.
  • The picnic's only for the Sweet Esther, Wisconsin crowd.
    B. B. Baugh and Pom Pom Cordova were born there.
  • Russell: "I heard of a fella that went to Colorado with the idea of staying an hour and a quarter and ended up staying forty-seven years."  Sade: "Um."  Russell: "That case is on record, and the public is welcome to go to Washington, D. C. and read all the details in the Congressional Record."   Sade: "I guess I'll do that."  Russell (approvingly):  Uh-huh, and you could visit Grant's tomb at the same time."  Vic: "Grant's tomb is in New York."  Russell: "I disagree."  Vic: "O. K."  
  • The invited crowd: Sade suggests: Dr. Keevey, Lolita DiRienzi.
  • Russell suggests: "Our grocery boy, Irvin, Miss Hammersweet and the girl at the cigar counter."
  • Vic says two more who share Sweet Esther as their birthplace have been uncovered: Mis' Harris' roomer, Mr. Breep, and Fern Mudstudy, the girl that plays the piano at the Ten Cent store (born 11-21-1910.)
  • Russell lists all eight invitees: "grocery boy Irvin, Fern Mudstudy, Vic, Pom Pom, B. B. Baugh, Morgan Perron, the girl at the cigar counter in the Unity Building, Mis' Harris' roomer, Mr. Breep, and Mis' Olive Hammersweet (Vic's secretary.)
  • Sade notes there'll be two musicians there: Pom Pom and Fern.  Vic doubts they'll take a piano out in the woods.
  • Russell: "The Chicago & Alton shop employees had an outing at Howton's Lake, and they hauled a piano there on a truck."
  • Sade bristles when Vic says "four boys and four girls". Russell says it's 1 boy, 3 men, 3 girls, and a woman.
  • Mr. Breep telephone Vic, who suddenly realizes he wasn't born in Sweet Esther, Wisconsin.  He was born in Union Grove, Illinois. - compiled by Barbara Schwarz, edited by Jimbo Mason
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Strange doings.  Take a long look at the list of folks on the picnic... look up some particulars at the Character site. There is a definite theme with the picnic - the people's names, their occupations and where they come from are all important. 

Trivia:

+ Fern Mudstudy will later be mentioned in an episode and her description will be nearly identical.

38-06-15 Sixth Anniversary Show

Very little information about this show except the date seems to be correct.  The title is probably correct.

It indeed was the sixth anniversary of the show.  Little else is known about the show except that writer Paul Rhymer played a trick on the listening audience -- maybe even a trick on the cast -- by having an actor come in at the very end of the program to play Mr. Gumpox on the air.  Gumpox' only words were, "Hello folks."
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Imagine having been a fan of the show for five years and all of the sudden, you hear the voice of someone else instead of the Gooks.   I remember how unsettling Dottie Brainfeeble was to my listening pleasure.  The fans in 1938 may have also thought their listening pleasure was about to take a turn for the worse after hearing Gumpox at the end of this broadcast.

(We now know that in episode 33-06-14 Rush Gets Kissed by Mis' Wilcox, that Mis' Wilcox had several lines - five years before Mr. Gumpox.)

This was just a gag by Rhymer, certainly to celebrate the 6th anniversary of the show.

Cliff Soubier played the voice of Mr. Gumpox.

39-11-xx Easy Slipper and Storage Space Season

Dialogue only:
Sade: Had about fourteen conversations about Christmas an' the mail man brought three letters about Christmas.  Willie, will ya run out in the dining room an' bring what's on top of the buffet?

Rush: Sure.

Sade: (To Vic) Golly, how time flies.  Christmases pile up on top of each other like oysters.  (Giggles) Well, the easy slipper season's started.

Vic: Has it?

Sade: Bess asks what size easy slipper you take in her letter an' so does Dottie Brainfeeble.

Vic: Every year Bess asks what size easy slipper I take.  Why don't she make a note of it on her cuff?

Sade: (Lightly) Oh, well.

Rush: (Coming up) No mail today for me, huh, mom?

Sade: Guess not.  (To Vic) Say, an' the storage space season has started.

Vic: Storage space season?

Sade: People wantin' storage space for their Christmas presents.

Vic: Oh.  Um.
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When Sade speaks of "storage space season" - one of the things she is probably talking about is Mr. Erickson's request to store stuff over at their house, which he did 

The date is guesstimated. The title is one I made up for identification purposes only.

43-12-08 Foot-stool For Mr. Ruebush For Christmas

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE
Vic's co-workers have bought a footstool to give Mr. Ruebush for Christmas.

Vic, who is annually in charge of the present each year for the boss, is very, very unhappy with the purchase made behind his back.  Now Vic must be responsible for the awkward present and he's worried about how Mr. Ruebush is going to react when he gets the present.

SEE THE SCRIPT
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Without the audio, it's hard to tell just how good this episode is but just from reading this script, you'd surmise this was probably one of the better ones.

Christmas cards, Christmas songs, Christmas lists and Christmas gifts - all of these are twisted and strange in the crazy world of Vic and Sade.  You wonder how much these Christmas episodes influenced Jean Shepard, when he penned the short story that became the hit movie, A Christmas Story?  He also wrote the forward to Vic and Sade: The Best Radio Plays of Paul Rhymer and was a known, huge fan of Rhymer and the series.  Surely the warped Christmas' of the Gooks played into his imagination as the family in that film is a bit Gook-ish.  As a matter of fact, the film has a very strong Vic and Sade feel.  Don't you agree?

43-12-07 Uncle Fletcher – Veteran Man-hole Man

STARRING: DAVID WHITEHOUSE AND CLARENCE HARTZELL
  • Russell has been having a dull chat on the phone with Oyster Krecker:  "I've had a good many dull telephone conversations during the course of my career, but I believe this one takes the cake for being the dullest. Yeah. Beg pardon?  Repeat that dull remark, please, Oyster, I didn't quite catch it. It looked like rain yesterday?  Say, I believe that's the dullest remark you've made yet.  Let's hang up, Oyster.  Huh?  Draw a merciful curtain over this dull, sick telephone call."
  • Fletcher: I expect you know what and where Detroit, Michigan are.
  • Fletcher cautions Russell not to play with the telephone because he might get electrocuted.  "A little lad about your age living in Detroit, Michigan succumbed to temptation one afternoon when his mama was away from home, and he commenced to play with the telephone and what do you think happened?  Russell: (bluntly) "He got electrocuted".  Fletcher: (gently) "Yes. And all they ever found of him was one of his little patent leather booties with the tosil singed at the bottom."
  • Fletcher mentions he's due at the corner of Main and Washington Streets at 4:30.
  • He's carrying a red flag under his arm.  Russell thinks he's got the job of substituting for the watchman on the street gang.  Russell has jumped to an incorrect conclusion.
  • Fletcher: "Art McWhinniman is going to be working in a man-hole at Washington and Main and I will serve as man-hole guard."  
  • When city hall asked Fletcher to do the job, he wanted to know who'd be in the man-hole. That's important because of the need for teamwork.  He begins to explain using the example of a horse standing in the road.  
  • He and Russell bicker a little over the horse's name.  Phone rings.  Fletcher insists on answering it. Russell: "Yeah, I guess you better.  I certainly don't want to get electrocuted."  Russell recognizes the voice on the phone is that of Mis' Trogle. But Fletcher, as he's inexplicably prone to do, tells her she's got the wrong number and hangs up, goes back to talking about his man-hole job, explaining he's an old hand at this business.  Why put a rookie on the job? "I'll be as cool-headed at Washington and Main as I'd be at the corner of Virginia and Kelsey in this quiet neighborhood." - compiled by Barbara Schwarz, edited by Jimbo Mason
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It appears that Russell was snarky on the telephone.  As I've mentioned before, it's my opinion that Russell is as his best when he's being a jerk.

It's a known fact that people can get electrocuted through the telephone during a lightning storm; although on average, only one person is killed this way each year.

Why is it that Uncle Fletcher hangs up the phone of Sade's lady friends when they call?  You wonder if he ever answers the phone at his landlady's house and if so, does he do the same thing there to her lady friends?

43-12-03 One Soggy Garbage Wagon Pass

STARRING: ART VAN HARVEY, BERNARDINE FLYNN, DAVID WHITEHOUSE AND CLARENCE HARTZELL
  • Sade mentions having seen Pom Pom Cordova on North Mason Street.
  • Sade: I'm envious as a horse.
  • Sade: Mis' Keller's niece in Saint Louis: Adelle Garroway, maiden name is Dwyer.
  • Fletcher: "I'll – tell – you – why – I – stopped – by.  I wouldn't give a copper for a fella that couldn't squeeze out a snicker now and again."  
  • Uncle Fletcher can't remember why he stopped by.
  • Vic: "Perhaps you stopped by to unscramble some eggs but stubbed your toe and you commenced to cry and the piano teacher that lives under the porch borrowed a nickel and…"
  • Fletcher: "A cousin of Roy Dejectedly's claimed he could unscramble eggs.  I'm not sayin' it's a fact this cousin of Roy Dejectedly's could unscramble eggs. I'm sayin' he claimed he could unscramble eggs."  
  • Uncle Fletcher remembers why he stopped by – in reference to the garbage wagon pass given to him by "Mary" (Mayor) Greetcham.  He never told Gumpox about the pass, thinking it might not sit right with him. That afternoon while Fletcher was riding Gumpox, it started raining.  So he crawled in the back of the wagon with the garbage and pulled a tarpaulin over himself, which Gumpox frowns on.  Vic wonders if it was hot back there, and Fletcher admits that it was.  Gumpox thinks if he has to get wet, Fletcher should, too.  So Fletcher flashed his official pass at Gumpox.  Gumpox looked at it for maybe ten minutes and it turned into a soggy, gooey mess.  Fletcher wants to know from Vic if "Mary" Greetcham would replace the pass, and Vic assures him it won't be a problem. - compiled by Barbara Schwarz, edited by Jimbo Mason
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Riding on the wagon with Gumpox and being near Howard are very important to Fletcher.  It's a big part of his social life, not to mention that he has a love for horses.  The garbage pass is one of the most important things in Uncle Fletcher's life.   But it's apparent from this and another episode that writer Paul Rhymer tries to make it clear to us, is that Fletcher doesn't like to get wet.  He doesn't mind a potato peel getting on him, the obvious smell of the refuse or getting dirty in general.  But by golly, if the rains come, he's going to jump in the back with the trash and hide under the tarp.  Hiding under the tarp can create steam, which Fletcher doesn't like.  He and water must not get along.

Unscramble an egg?   Nicer Scott once claimed he could unfry an egg.

43-12-01 B. B. Baugh and the 10-Cent Store Weigh-Machine

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE
  • Sade and Mis' Harris had been talking about the effects of furnace heat.  Mis' Harris' roomer Mr. Sludge had been sitting on the floor by the hot-air register night before last or sometime, putting sticks of peppermint candy in rows and making houses out ‘em, and all of a sudden he just sprawled out fast asleep.
  • Russell returns from having gone to the YMCA to watch the fat men play handball but was disappointed – it was all skinny fellas.  "they don't fall down and they don't get out of breath and they don't waddle around and bump into junk and they …"
  • Sade: "You stay and watch the skinny fellas?  Russell: "For maybe half an hour.  Kept hoping some good old trusty, dependable fat men'd show up.  But none did.
  • He eventually went to the Illinois Traction System Depot (i.e., the Interurban Station) to get warm and encountered a group of other guys in there getting warm:  Hank Gutstop, B. B. Baugh, Rishigan Fishigan from Sishigan, Michigan,  Y.I.I.Y. Skeeber, Stacy Yopp, Ernie Fadler, and Uncle Fletcher.
  • Sade objects to Russell hanging out with that crowd even if Uncle Fletcher is with them.  Vic sees no harm in it.  She's shocked to learn the topic of discussion was "women."  Russell clarifies they were discussing the psychology of how women react when they step on a penny weighing-machine.  B. B. Baugh, who owns the peanut machine at the Interurban Station is considering the purchase of the 10-cent store weighing-machine.  Women prefer a machine that registers lower, rather than actual, weight.
  • Sade is shocked to learn that her name was mentioned - by Uncle Fletcher - who mentioned Sade, Ruthie, and Mis' Keller complain about the 10-cent store machine because it gives correct weight.  He said they prefer the machine at Kleeberger's because it registers three to five pounds lower than reality.  B. B. plans to buy the 10-cent store machine and gear it down so it'll register ten pounds below reality, and then hire agents to spread the news among the ladies. - compiled by Barbara Schwarz, edited by Jimbo Mason
SEE THE SCRIPT (part 1) (part 2)
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It's been said by both Vic and Uncle Fletcher that B.B. Baugh is the most-enterprising businessman in town.  Though the cost of getting weighed is only a penny in 1943, you'd think that after 2-3 years, it'd be clear profit for Baugh, who seems to take low-risk money gambles.

Sade worries about Russell hanging out with Fletcher's gang of cronies, while Vic sees no harm; Vic shouldn't see any harm as they are all his friends as well!  I can imagine Sade saying: "There's nothing more frightening than a gang of seedy barbers and peanut machine misfits filling my little son's head with oceans of talky-talk and trashy-trash!"

Trivia:

+ Paul Rhymer used the word, soporific.

43-11-25 Fletcher's All Dressed-Up

STARRING: ART VAN HARVEY, BERNARDINE FLYNN, DAVID WHITEHOUSE AND CLARENCE HARTZELL
Yes!
Both Vic and Russell have just seen Uncle Fletcher on Kelsey Street all dressed up. Uncle Fletcher stops past and they try to find out why... Uncle Fletcher explains he'd been sitting on the cistern lid whittling a shoe-horn when Mis' Keller poked her head out the window and suggested it would be a good time to fix his everyday pants, which he had on. So he changed into his good pants. Figured it would make sense to put on his good shirt, too. And his good coat and shoes and vest and suspenders and sleeve-garters, and socks and hat.

SEE THE SCRIPT (part 1) (part 2)
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When someone asks you what Vic and Sade is really all about - and you tell them that it's not really about anything - and when they give you that puzzled look, you can show them this script.  That's when they shrug their shoulders and leave you as they head for the television.

This episode is simply about Sade's uncle changing clothes.  He figures he'll go ahead and get dressed up, you know, why the heck not?  Vic and Sade and Russell were a bit curious, but really, they really could have cared less!

And THIS is typical of the show.  Even so, it's entertaining as a horse.  For instance, is this not typical of Uncle Fletcher?:
But my favorite is this one:

This episode took place on Thanksgiving day.

43-11-24 Vic Brings Home A High-Crown Cowboy Hat

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE
Vic arrives home. Sade and Russell had both seen him approaching as they talked, but he enters without the parcel he had been carrying. Sade immediately inquires if he bought a hat. They discuss the fact that there have been no recent disputes about hats, and they're probably due for one.

Tom Mix - popular man
Vic tells Sade (and a nosy Russell) how the hats are popular in Dismal Seepage, Ohio... and Sade tells him (while walking out on him) to take the hat back to Kleeburgers. 

SEE THE SCRIPT (part 1) (part 2)
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When you see 'hat' in the title, you know what's about to take place at the small house halfway up the next block.  Audiences in 1943 knew what was about to take place too, provided they'd been listening a while.

Why does Vic even bring the hats to the house?  Why not keep the hats at Ike's house?  Leave one at work and one at the lodge?  Why does he torment himself?  Perhaps he lacked the love of his mother as a child and yearns to be idled by Sade's nagging voice?

Have you noticed that as time goes by in the series, the wide-brimmed hats have suddenly become cowboy hats?  Vic can't resist buying hats with larger and larger brims.  Did we miss Vic purchasing a sombrero?  I wouldn't be surprised.

We see that Russell is stitching up an indoor baseball.  I've made note of it before but I have yet to figure out what an "indoor baseball" is.  Both Rush and Russell have stitching duties with theirs, in various episodes.  Vic and Sade expert Louie Johnson suggests a soft baseball of some sort.

43-06-03 Russell's First Appearance

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE
A hot sticky day; Sade's not in the mood for Mr. Buller's relatives to come stay with them until it comes to light that it's an orphan boy in question. - from notes compiled by Barbara Schwarz

According to author John T. Hetherington, in an interview with Jimbo, published May 28, 2014, he states: The script merely explains that Russell is Mr. Bueller’s nephew and that his parents were Chicago people. According to Vic, Bueller has taken “temporary charge of him until he can form definite plans.” And then he brought Russell there “because this is a medium size city with green grass and fresh air.”
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David Whitehouse, I think, gets a raw deal from Vic and Sade fans.  While most fans of the show, myself included, prefer Rush over Russell, I think he makes a hard case for anyone to legitimately complain about his overall performance.  Though the characters were similar, they were in fact two different characters, with two different names, different friends, different enemies, different parents and different upbringings.  Though similar (both boys were bright and somewhat egotistical) Russell was far more brash than Rush.  Russell probably had more book smarts than Rush.  Rush may have had more street sense than Russell and was probably more friendly and more popular.

Russell seemed unafraid of any task, even "adult" tasks.  He was certainly more outspoken than Rush.  Russell took on more of a Sade persona and Rush more of a Vic role.

Vic, Sade and Fletcher seemed to have treated both boys equally.  However, look at the boy characters and realize they both grew up in different environments.  Rush may have grown up "unloved" or something close to it (we don't know all the particulars) while Russell probably grew up in a thriving relationship with his parents and then they suddenly died.  Either way, both boys would need lots of love. Vic, Sade and Fletcher seemed to provide that for each.

The boy characters each play their parts well.  As I have stated in the past, I do think Bill Idelson was the better, more experienced actor and David Whitehouse was what I would consider, "raw."  But Whitehouse is a far better actor in 1944 than he was when he first got on the show; if you don't believe me, I ask you to listen to some of the first audio we have of him and then listen to him a year or so later.  He grows into the part.

And though we compare the two, why do we do it?  They do not play the same part! While both are orphans, they are two separate people.  In my opinion, the thing that makes the average Vic and Sade fan somewhat anti-Russell is the fact that we have a few re-used scripts where they say exactly the same lines.  When we hear those episodes, we are forced to compare the two.  For instance, a comparison of the two in the Teaching Cigar Smoking to Chinbunny (Rush/Russell) clearly show a difference in their acting careers.  Idelson reads his lines acts like an absolute professional and sounds like he's been acting for 20 years.  On the other hand, Whitehouse sounds like a 12 year-old kid reading his lines.  It's really that way with everything they do that is similar.

However, take away Rush and those re-used scripts and try looking at Russell as an individual.  In the beginning, Whitehouse has natural acting ability but the deeper you go into the series, you can hear his confidence grow.  Russell was the best when he took on the never-afraid, brash kid persona.  Like the time he offered to tell Mr. Overholt to vacate Mis' Harris' rooming house or the time he talks like a thug on the phone to Irvin, the delivery boy.  It's unfortunate that in the surviving episodes we have of Russell, he doesn't do the brash act more often, as this seems to have been his strength.

Russell also had a laugh that is fun to listen to.  As silly as that sounds, it's true.  Russell could sound like an innocent child and there he was, willing to go throw Mr. Overholt off of the roof.

39-12-06 Watching Neighbors Walk on the Ice

Some dialogue:

RUSH: Ever hear the great myth about the fella that blew on his hands?

SADE: No.

RUSH: An old couple that lived in the country was sittin' home one winter night and there was a knock on the door.  Turned out to be a stranger they had never seen.  He came inside and started to blow on his hands. The old couple said, "Why are you blowing your breath onto your hands?"  He said, "To warm them."  They'd never heard of that before.  But they said, "Here, have a bowl of soup."  The stranger took a spoonful of soup and began to blow on it.  The old couple said, "What's the idea of that?"  The stranger said, "The soup's too hot, I'm cooling it off a little." [chuckles]  And then they threw him out in the snow.

xx-xx-xx How Sade Cleaned Out the Cellar


Sade wants to get rid of all of the lodge junk in the cellar and Vic wants it all to remain right where it sits.

She calls him down cellar every few weeks to get rid of old newspapers.  He refuses.  Meanwhile, before he comes down each time, she gets rid of a handful of them.  She does it little by little so that he doesn't ever realize the pile is getting smaller and smaller.  He never suspects a thing.
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What Sade does is basically the opposite of what Vic does in this episode when he tries to gradually increase the size of his hat brim so Sade doesn't notice.

The trick that Vic uses doesn't work - but Sade easily tricks Vic.

The date is unknown, as is the title. The title I used is made up by me and is used only for identification purposes.

37-10-04 Mildred's Theme

A little dialogue:

RUSH: I got something I want to read to you.

SADE: What is it?

RUSH: A theme that Mildred Tisdel wrote.

SADE: What's a theme?

RUSH: Oh, a kind of a piece - an article -

SADE: A composition?

RUSH: Yeah.

SADE: They call them themes, now?

RUSH: For high school, they're themes.  For grade school, they're compositions.
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Is this Rush taking a swipe at Sade because she is uneducated? Or is this Rush just setting the facts straight?

We may never know.

32-06-29 Vic, Do You Still Love Me?

STARRING: ART VAN HARVEY AND BERNARDINE FLYNN

A little dialogue:
SADE: The only time you pay attention to me is when you want me to pass the gravy or press your pants, or massage your scalp.  Vic, do you love me as much as you did when you married me?  Romance is something that wears out gradually, something that's too fine and fragile to be handled by human beings... long after they know it's nothing and never was anything.
See the New York Times radio schedule for June 29, 1932 (center column, bottom)
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The title is one I made up; I do not know the real title as I found the dialogue in a magazine.  Therefore, the title is for identification purposes only.  The date, however, is assumed to be correct.

I have been known to say (in the past) that there is little or no passion between the couple.  This episode (though we don't know the conclusion) seems to show that Sade was at least seeking romance.

Vic hurts Sade by telling her she hasn't canned an adequate supply of foods.

Vic was a newspaper addict (eventually, they would both succumb to it) yet in 1932, Sade seemed to yearning for his approval.

This may be a case of the show teetering on a soap opera in the beginning stages - or maybe not.

According to the book, Vic and Sade on the Radio: A Cultural History of Paul Rhymer's Daytime Series, page 26, Sade calls Vic, "Darling" in this episode but serves him cold eggs and coffee due to her inefficiencies.

34-02-01 Checkers

Bit of dialogue, only:

RUSH: I'd like to figure out a move where I'll get one of yours.

VIC: Sit here long enough and I'll die of old age.

RUSH: Looks like I'm in a bad fix.

VIC: Why doncha move here?

RUSH: Yeah and let you get two of my men.

VIC: Just a suggestion. Nothing is so wretched as a slow checker player. One of the world's greatest curses.
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The date is correct, however, I made up the title only because I do not know the correct title. It is used for identification purposes only.



41-04-01 The Growing Hat

STARRING: ART VAN HARVEY AND BERNADINE FLYNN
Vic buys a new hat with a narrow brim, but each day, before he comes home, he stops off at Kleeburger's and exchanges his hat for another hat of the same style and color except the brim in imperceptibly wider.  He hopes to do this for several weeks, finally arriving at the size brim he prefers.  The ruse doesn't work.  Sade confronts Vic:
Sade: Gonna tell you about a certain fella that's bound and determined to wear a broad-brimmed hat.  He looks rotten in a broad-brimmed hat.  He's been told ten million times he looks rotten in a broad-brimmed hat.  But he still works away like a beaver figuring up ways of getting a hold of a broad-brimmed hat.  When you came home that first day, that hat was nice and becoming and was a well-fit in a hat.  That second day you came home, I saw your hat - I was just a tiny bit perplexed.  Brim was even broader the third day. When the brim still seemed even broader, I smelt a mouse.  I smelt it strong.  The fourth day, I knew.  Then the fifth and sixth days, I just watched with curiosity.  The hat you brought home today wasn't any broader in the brim than the one yesterday.  I saw that at last, you had reached the climax.
- The above is from COMEDY MAGAZINE, SUMMER 1980.  Sade's lines are from the script, by Paul Rhymer.
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I gave this episode a title because I do not know the correct one.  I simply gave the title for identification purposes only.  We do, at least, have the date of the episode.

Vic again tries to get a cowboy hat; this trick a bit more ingenious than any other wide-brimmed tricks we have seen from him.  Writer Paul Rhymer shows us just how clever Vic can be - and it's still not clever enough to fool Sade (on April Fool's Day no less!)

It took Vic a whole week and six hats to pull off his ploy.  Imagine the work involved in doing this: he'd have to buy a small hat and take it back to the store and get a larger hat the next day - this would happen everyday for six days.  That's just  ridiculous.  Imagine what the salesmen at the haberdashery must think of Vic!  (In an earlier episode, we know they think he must not be "right" in the head.)  This would surely prove that!

No matter what he tries, he can't fool Sade.

43-02-12 The Plot That Failed

STARRING: BERNARDINE FLYNN AND CLARENCE HARTZELL
  • Sade's been cleaning. Fletcher arrives with a sack. 
  • Mr. Ruebush reminds Fletcher of Ray Bulletkiss from DeKalb.
  • Sade suspects the sack contains a cowboy hat that had belonged to Vic.  She had plotted with Fletcher to take the hat to his friend Ernie as a gift, but Fletcher had run into Vic with Mr. Ruebush at the gas station.  Vic spotted the hat and asked Ernie where he got it. Vic offers to buy it for $5.00, and Ernie jumped at it.  Vic gives the hat to Fletcher to bring home.  Fletcher finds himself caught in two conspiracies at once.
  • Sade admits she's licked – this round anyway.
  • Fletcher mentions: Snorty Awkshawk in Belvidere – his 1st wife had a cousin in the uncorked Mucilage business.  Ernie Skofflaw, Fletcher's gas station friend. Lawman Chilkers in Sycamore. - compiled by Barbara Schwarz, edited by Jimbo Mason
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This is a bit of an odd episode as it's all about Vic and him obtaining a cowboy hat - yet Vic doesn't even appear in this episode.

There probably is a missing episode shortly before this one aired in February of 1942 where Vic once again comes home with a cowboy hat.

Sade mentions that "she's licked" this round (yet the title seems to say that Vic/Fletcher failed) - did Sade get the hat back from Fletcher?  Did the hat go back to Fletcher's friend, Ernie?  Surely the hat wasn't there waiting for Vic when he got home?  The notes don't tell us.

This is twice now where a sack is used to disguise or hide the hat.  It works neither time, although the other time, Rush helped in getting Vic busted.

36-07-04 Fourth of July Picnic with Old Friends or Stylish Ones

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
Sade and Rush make plans to go on a casual picnic to the local Dillman Dells picnic grounds with Fred, Ruthie and Melvin Stembottom; but when Vic arrives, he tells of an invitation he's received from his boss, Mr. Ruebush, that will put them at a picnic with high society at White's Lake.

Sade would much rather go with the Stembottoms.  Rush, who wants to invite Rooster Davis, also seems to want to go with the Stembottoms.  Vic, on the other hand, wants to go with the high society folks.

SEE THE SCRIPT
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Vic wants to make his way up the ladder at work/society; he sees this as an opportunity to do so since he's been invited by his boss to with him on a holiday.  It may do the Gooks good to rub elbows with the very rich.

But where would Sade be if she were to make all new friends and lose those who already have voted her as the head of the Thimble Club?  Vic, though not rich, already is the Exalted Big Dipper of his social club.  The two, whether they realize it or not, are already somewhat, "high society" - especially to their friends.

Almost all of their friends are blue collar types.  Sade goes on and on telling how proud her sister is of Vic and his position at Consolidated Kitchenware.  Another move up in society would likely lose many friends - is this what they really want?

Dillman Dells is mentioned in this script.  From everything I can gather, it's a picnic area, perhaps near Kickapoo Creek.

41-xx-xx How Neighbor Ladies Greet Each Other When on the Outs

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
Over a "game" of Rummy, Sade chronicles the neighborhood ladies' friendships with each other.

SEE THE SCRIPT
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The friendships go something like this:
click to enlarge
Rush gets upset with Sade because while she's "playing" cards, she's not actually playing any cards.  I'm quite sure it upsets Vic also but since Rush is already making it known that Sade's holding up the game, he bites his lip.

38-xx-xx Books

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
The episode begins by Rush telling about a Third Lieutenant Stanley book he's reading called, Third Lieutenant Clinton Stanley on the Campus or Winning Laurels for Old Alma Mater. The book is about Third Lieutenant Stanley playing football for both Harvard and Yale - at the same time - because he attends both universities!  He even scores a touchdown for both teams on the same run because:
They line up the two gridirons in a row.  Third Lieutenant Stanley gets the ball an' runs the length of one gridiron an' then keeps right on going an' runs the length of the other gridiron.  Two touchdowns at one an' the same time.
Later, he hazes 15 college freshman singlehanded!
You better watch out, said one big lubberly freshman.  But Third Lieutenant Stanley only smiled.  His hand darted out with the speed of lightning an' a moment later his victim lay writhing on the campus with a broken leg.
Another exciting part of the book involves the Lieutenant landing in his airplane right on a baseball diamond where Yale is playing out in the field.  He times it just right where he makes a catch of a high fly that wins the game for dear ol' Yale.

Other Third Lieutenant Stanley books are mentioned as well: Third Lieutenant Clinton Stanley's Big Love Affair which he had borrowed from Blue Tooth Johnson.  One of the more unusual things that happens in the book is that the Third Lieutenant assassinates a sheik by hitting him in the head with a... camel!  Another is Third Lieutenant Clinton Stanley as President of a South Sea Island Republic.  And yet another volume is called, Third Lieutenant Clinton Stanley in the Tropics or Twenty Years among Savage Cannibals.

A bit in one book (not mentioned which one) had the Lieutenant's mother walking across a tightrope over Niagra Falls.

The plot of this Vic and Sade script though is about the Brick Mush man giving out free books as a premium for buying brick mush (if you buy a whole ton of brick mush, you are entitled to a free bass viol.)

In this episode we find out the real name of the Brick Mush man: Mr. Keefer.  He apparently doesn't like/want people knowing his identity.

His son, Elton, is friendly with Rush. Elton, like his dad, is a very shrewd businessman.

Names of books given away by the Brick Mush man for a premium include:
  • Dorothy an' Her Daddy or Romping Among the Buttercups
  • A Brief Biography of the Father-in-law of Tyson R. Poppell
  • Tricks a One-legged Man Can Perform with a Dead Gorilla
  • A Report of the Work of the Sub-Committee on the Boundry-changing Issues of South-Central Illinois
  • The Life of U.S. McGraw
  • The Romance of the Hinge
  • Twinkling Tunes for Tiny Tots
  • Sightseeing in Sunny Kansas (Rush found this book on the streetcar tracks and later traded it to Elton for a skate key.)
  • Fun and Excitement You Can Have While Polishing Silverware
  • The Soul of Bernie Gummerman
  • The Great Warm Heart of My Uncle, Oscar Y. Slump
  • Famous Indian Fights of South Dakota
  • How to Handle Ill-tempered Horses
  • Little Princess Piggy and' Her Punkin-headed Pig
  • East Duckworth, Oklahoma, Land of Sunset Dreams
Gloria Golden is in a film currently running at the Bijou.  The movie is called, Foreign Legion Farewell.

Uncle Fletcher was kicked in the shin by his horse when he lived in Dixon.

SEE THE SCRIPT
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The book, A Report of the Work of the Sub-Committee on the Boundry-changing Issues of South-Central Illinois, was found 2 years later by Rush (also, oddly enough, on the streetcar tracks) in this episode.  Imagine, a two year-old joke by Paul Rhymer!

43-02-02 Bright Kentucky Hotel and the Locomotive

STARRING: ART VAN HARVEY AND BERNARDINE FLYNN
  • Vic is just off the phone from speaking with Y.I.I.Y. Skeeber.  He almost  shuddered at the startling news.
  • Vic: "On the west side of the building – where our garbageman's room is located – there is only six inches of space between the speeding train and the wall."
  • He's waiting for further word about the arrival of train #9 south-bound from Chicago.  The hotel may remain standing or may not. It may become a pile of "remnants, a poor sick heap of twisted bleeding planks.  Vic drags out the story for dramatic impact.  Sade reacts impatiently.
  • Rishigan Fishigan is the hero of this tale, possibly having saved the life of every man in residence at the Bright Kentucky Hotel.  He had seen a newspaper article stating that the C & A Railroad had purchased a new locomotive.  It seemed to him that the locomotive was larger than the ordinary ones.  He called the Superintendent of Motive Power of the C & A shops and verified it's a larger locomotive.  He raced back to the Bright Kentucky which was quickly evacuated.
  • Now there's nothing to do but wait.  Skeeber phones.  Turns out the new locomotive had twenty-seven twenty-eighths of an inch clearance.
  • Vic: (low, vibrant tones) "In fact it scraped the paint."  - compiled by Barbara Schwarz, edited by Jimbo Mason
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Realistically, the Bright Kentucky Hotel is probably a death trap.  Petitions have been drawn up for it's removal; it was condemned in the 1910's; this episode here proves that there could easily be a very drastic accident where a speeding locomotive runs into the hotel, potentially killing several people... and yet we laugh about it.

But that's a crazy Paul Rhymer script for you.

The hotel is full of the town's seediest - and most notorious - characters.  It's located near the most dangerous part of town (many rails from both the railroad and the interurban station's streetcars merge there.)

I recently went on Google Earth and took a look at the city of Bloomington, to see if there was such a convergence of tracks and here's what I found:

Bloomington, Illinois circa 2011
Perhaps in Rhymer's mind, this was very near the place where the Bright Kentucky Hotel sat. By my count, there are currently 13 tracks there; there's room there for many more and you wonder if there weren't 20+ tracks there in the 1940's?  No wonder Sade worried about Uncle Fletcher's welfare at night when crossing these tracks!  Look at the photo enlarged - imagine it's nighttime and there are 20 tracks there.  It looks to be a good 75 yards across.  Would you feel comfortable crossing those tracks at night?

The hotel is an icon for the show.  Exploring it's various stories can be a great way to spend an afternoon.

43-01-28 Sade's On the Phone

STARRING: BERNARDINE FLYNN (SOLO)
Sade is busy at the phone, window and back door as she dodges (or tries to) the newly-moved davenport, which she keeps bumping into.

SEE THE SCRIPT (part 1) (part 2)
Our favorite radio actress
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    This episode is a total solo effort from Bernadine Flynn. In interviews from the 1970's, she spoke about this episode: (((HEAR))) and (((HEAR))).  Flynn mentions some facts not associated with this particular show, so a Sade-solo may have happened more than once.

    It's unfortunate that we are not able to listen to this episode, for I suspect we would come away more amazed at the talent of Flynn than we are now.

    Trivia:

    + When Sade talks to Mis' Trogle on the phone, she briefly speaks about her daughter, Margaret.  Mis' Trogle also has the first name of Margaret!

    + Mr. Croucher has a son named 'Leland'.

    + Though Bill Idelson is in the Navy at this date, Rush raps at the window on two occasions.  That's mind boggling.  Yes, it's just a radio show.

    + Irving or Irvin?? The grocery delivery boy is referred to by different names (Irving or Irvin) by different family members in different episodes.  The script here says, ''Irving'', yet it's in the minority.  Just try and live with it.

    42-10-14 Rush's Soggy Books

    STARRING: BILL IDELSON AND CLARENCE HARTZELL
    • Fletcher: "Wilbur Yang was known around Sycamore there as ‘the man with the educated elbow'.  He could tell time with his elbow. As a young fella he fell off a hay-rack and broke his elbow.  After that happened his elbow was very sensitive, see? He could tell by his elbow whether it was gonna rain, whether it was gonna snow, whether it was gonna hail, or whether it was gonna sleet. And he could also tell the time.  His wife – he married a woman twenty-six years old – would wake him up in the middle of the night and say, ‘What time is it, Will?'  Wilbur would simply take hold of his elbow with his fingers, squeeze it good, and say, ‘It's three minutes and six seconds past one o'clock.'  And he'd be right!  Wilbur Yang married this woman twenty-six years old under very peculiar circumstances.  He was standing on the railroad station platform in East Pittston, Pennsylvania.  A stranger come up to him and tapped him on the shoulder and says, ‘Beg pardon, friend. Will you light my cigar for me?  I'm going to be married in half an hour and I'm so nervous I can't strike a match.'  Wilbur lit the fella's cigar for him and then got to thinking. ‘I oughta be married myself,' he said to himself. ‘I'm thirty-two years old.'  Well sir, he noticed a young lady down the platform a piece and he strolled over to where she was standing and says, ‘I'm Wilbur Yang.  I'd like to get married.'  The young lady never blinked an eye.  ‘I'd like to get married,' she said.  So they went to a lunchroom and ate a hearty meal, got in touch with a preacher, underwent the wedding ceremony in the presence of six book agents that happened to be in the neighborhood, caught the evening train for Logwater, Missouri, and for all I know they're still in that community."
    • Fletcher: "Ernie Hawfer there in Belvidere claimed everything he ate tasted like molasses.  I say he ‘claimed' because naturally he couldn't prove it. Peaches, bread, chewing-gum, ice-tea, hominy, spinach, olives, turnip-greens, they all tasted like molasses.  That would have been all right only Ernie didn't like molasses.  He went to see the doctor about it.  "Doctor, everything I put in my mouth tastes like molasses."  The Doctor asks, "What's your name, friend?"  "Ernie Hawfer," says Ernie.  "Mister Hawfer," says the Doctor, "Get out of my office and stay out."  Ernie left Belvidere late in the spring of eighteen-eighty-six. He moved to Corpus Christi, Arizona, went into the Wholesale Baling Wire business, and, as I say, he passed away in nineteen-aught-two."  
    • Fletcher: "Mervin Gossbeck there in Sterling – Mervin and his brother Charlie were sittin' out behind the house one evening and they got up a game of seeing which one could keep their mouth closed the longest.  Charlie was first and kept his mouth closed an hour and a half.  Well, Mervin was a stubborn half-wit, - couldn't bear to lose. He kept his mouth closed almost a week.  He lost fifteen pounds from going without eating and finally fainted from thirst. The lame-brain bet was only a nickel.  And Mervyn didn't even collect that.  Charlie didn't have a nickel.  Stubborn nit-wits that way – they'll stick with a thing till they drop."
    • Rush is down in the dumps because he left his schoolbooks outside overnight and there was a heavy rain, turning his books into "big swollen, soggy chunks of unreadable pulp."  He figures it'll cost five dollars to replace them.
    • Fletcher: "Old Harvey Geager there in Dixon used to say, ‘Somebody wins, somebody loses.  Nature takes up the slack.'"
    • Uncle Fletcher had found a five dollar bill earlier in the day and wants Rush/Russell to take it to buy new books.  Rush doesn't believe he found it.  Fletcher takes severe umbrage.  The boy relents and accepts the bill.
    • Fletcher: "Gus Cheebawater left DeKalb to move to Tulsa, Kansas.  In Tulsa, Kansas he married a woman seventeen years old, went into the Automatic Saxophone business, taught himself to ride horseback without any horse, successfully passed fourteen nickels in counterfeit money he'd made at home himself out of ordinary gingerbread, spent one whole winter sleeping on the handlebars of a bicycle to win a fifteen-cent bet and later died." - compiled by Barbara Schwarz, edited by Jimbo Mason
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    This script was re-used on Christmas Eve, 1943, with Russell (David Whitehouse) taking the place of Rush.  The title therefore is different as well, being named: "Russell's Soggy Books."

    This script is important for it's many stories from Uncle Fletcher.  Nine out of every ten stories he tells are worth noting, so the more we run across, the better.

    As noted many times, Uncle Fletcher is a very thoughtful person.  He probably did find five dollars that day... and it would be just his way to help out anyone in need, especially his nephew.