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Showing posts with label Mr. Richards. Show all posts
Showing posts with label Mr. Richards. Show all posts

43-02-16 Leland Richards is Coming

STARRING: BERNARDINE FLYNN AND CLARENCE HARTZELL

Leland Richards is coming to stay at the Gook for a while; his father just took a new job in Washington D.C. and his mother's father is very ill in Missouri and his mother had to go there.
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Leland is about what you'd expect him to be. He's polite, rather quiet and friendly.

The show's ending is quick but is is one of the best endings in the show's history.

Trivia:

+ There is no known record of what actor played Leland Richards.

+ Leland brings a garter snake into the house, unbeknownst to the women there.

+ Uncle Fletcher tells the story of Harry Bubeck from Sycamore, who married a woman 26 years old. He moved to Detroit and changed his name to Tommy Haran and he learned how to play the piano with his hands tied behind his back. As soon as he accomplished that, he joined the police force and earned the reputation for being the worst officer in the city. He was afraid of pickpockets...

+ Dottie Brainfeeble is fixated on joking (2nd show in a row) with Uncle Fletcher about East St. Louis. Uncle Fletcher claims he's never been there.

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41-10-14 Vic Declines Cornet Lessons

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
Vic gave Alf Musherton 19-20 hours of special tutoring at the Butler House Hotel as Musherton is a candidate for initiation in the Sacred Stars of the Milky Way.

Musherton is so pleased and grateful to Vic that he cries and insists on giving Vic or any Vic's relatives or acquaintances 20 free cornet lessons. Vic doesn't want the lessons and neither does Rush. The rest of the episode is spent trying to come up for candidates to take the free lessons.

Eventually he decides to give Hank Gutstop a quarter if he'll take the first lesson.
MIS' CROWE SAYS:

This is a classic episode: absurd Rhymerian concept, colorful side characters, and Vic, Sade, and Rush fulfilling their favored roles (Vic thoughtful, Sade skeptical and scoffing, and Rush sitting back and delighting in the absurdity of it all). It’s also yet another episode in which men who cry are prominently featured – Vic’s friend Alf Musherton is a cryer, and Rush suggests that he might feel a kinship with Mr. Sludge because of it.

This episode presents an interesting commentary on the act of gift-giving. While we think of a gift giving as a one-way transaction, in which the giver altruistically gives something to the recipient and the recipient can choose to do what he will with it. However, the act of giving a gift isn’t a totally altruistic one, especially when it’s a gift given as reciprocity like Alf’s here. The gift giver gets the relief of a lifted obligation, the knowledge that he has reciprocated the past kindness of the recipient. This aspect of gift-giving places certain obligations on the recipient of the gift: it’s churlish to turn the gift down, because then you’re not allowing the person to feel that lifted obligation. Alf’s gift therefore becomes a bit of a white elephant as Vic has to put time and energy into coming up with a way to use it. A little ironic, since the gift was meant to thank Vic for his time and energy in tutoring Alf in the first place!
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GARRY MOTTER SAYS:
This was the first Vic & Sade episode I ever heard.  I had heard of  the show, so when it came on the radio I gave it a listen.  It starts out slowly as they often do, and I feared the worst.  But by the time it was over I was enchanted.  I think it was the discussion of Mr. Sludge and Alf alternately yipping and sobbing that hooked me.  I "yipped" on the cornet myself at Rush's age, so this gave me a laugh. 
This is not one of the laugh-out-loud hilarious episodes, but is amusing in a surreal sort of way that appeals to me.  Still, one can't help bust out at Rush's anecdote about Mr. Richards having to call the plumber. 
Sade seems to think it ridiculous that a garbage man might want to play the cornet, yet the teacher himself is a sewage disposal worker.  One thing that stands out is that Vic is seen here as sensible and calm in a bizarre situation.  He deals with it thoughtfully and decisively, while Sade is panicked at the idea of a cornet in the house.  Too often he is humiliated by the end, but here he is in firm command.
SEE THE SCRIPT (transcribed by Garry Motter)
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I think you will find that this episode is one of the most rewarding of the lot. If you haven't heard this one before, you should be extremely happy with the ending.

Trivia:

+ Rush wants to read aloud from a Third Lieutenant Stanley book that deals with coat and hat thieves in the Sahara Desert, but no one wants to hear it.

+ In a previous episode, Vic was to fake playing the cornet in a band concert. A year and a half later, you wonder why he would turn down the free lessons?

+ Some people who Vic, Rush and Sade suggested may want to learn the cornet: Mr. Gumpox, Uncle Fletcher and Mr. Sludge.

+ Sade refers to playing the cornet as "yipping." According to the Etymological Dictionary, "yip" means to "chirp like a bird."

+ Rush tells an Uncle Fletcher-type story about Mr. Richards, who used to play the cornet: {{{HEAR}}}

+ Hank Gutstop is known to hang around the Lazy Hours Pool Hall until closing time.

+ Rush knows the telephone number of the Lazy Hours Pool Hall (#8764-J.) However, in an earlier episode, Rush said, "[I] don’t know any pool hall telephone numbers. Mom’d throw me over the people’s bank building".

+ When Vic calls Hank, he's told that Hank Gutstop is playing bottle pool.

+ This is the first episode where the term, "stuff happens" is used.  Wikipedia credits this variant of the term "sh*t happens" to writer Paul Rhymer and Vic and Sade.  (((HEAR)))

+ The last few episodes have all been more than 10 minutes long; a sign that less commercial time was going into the program and probably a sign of the popularity of Vic and Sade.

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39-08-30 Rush Mad at Pre-selected School Clothes

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON 
Rush is upset and what 14 year-old boy could blame him?  Sade has gone
and picked out all of his school clothes at the various department stores around town.  All Rush has to do is go in and they will fit him to the right size.

Being 14 years old, he feels he is too old for such stuff.  Sade is afraid he would pick out crazy clothes.

Vic and Sade feel that Rush should just be happy his parents can afford clothes for him and not sulk.
MIS' CROWE SAYS:
Sade has selected Rush’s school clothes in advance and Rush is terribly unhappy about it.

Whenever Rush wants to do something grown up, Sade reminds him that he’s a “little boy.” Whenever Rush does something childish, Sade chides him for being a “big, monstrous, grown-up high school gentleman.” The poor guy just can’t win!

Sade is worried about Rush picking out “loud, crashy” clothing, but so what? He is a teenager, after all. But Sade has always been concerned about appearances. She badly wants to be accepted by her community, and she’s a little overly-conscious of what others will think. It extends to her husband, too — particularly in the area of headwear. She wants a good social standing among her friends and neighbors, and she isn’t going to let anything stand in the way of that.

Such customer service in those days, though! Sade’s request would be too extreme for most stores in today’s world (especially if she were shopping for school clothes at a big-box store, like most parents do nowadays). But it’s no trouble for the fine professionals at Yamilton’s, Kleeburger’s, and Emson’s.

Rush is such a teenager in this episode. The potential for embarrassment is everywhere, his parents are unbelievably cruel and unfair, and everything is a gigantic disaster. He’s suitably overdramatic about the situation and Bill Idelson really gets to shine.
SEE THE SCRIPT (transcribed by Lydia Crowe)
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Not a very memorable episode.  Rush is whiny and sulky and mad at Sade.

Trivia:

+ In a previous episode, Mis' Harris was not a member of the Thimble Club but in this episode, Rush relays a message from her to Sade, "That she will not be at the Thimble meeting."

+ Sade pre-bought Rush a blue serge suit, a pair of reddish brown shoes and a  plaid cap.

+ At Yamilton's, Rush is to ask for Mr. Richards.  At Kleeburgers, he is to ask for Mr. White (a young fellow with nose glasses) and at Emson's Shoes, he is to see Mr. Finn (he's bald and probably has an artificial leg).

+ Mr. Call is mentioned.  We can assume this is Heinie Call's father.
TWO SIDES...
JIMBO: This episode and a later one (42-08-24 Rush's New School Clothes) seems to show that Sade doesn't trust Rush when it comes to buying clothes. We also know she doesn't trust her husband when he buys clothes either (a suit and numerous hats.)

I say this is because Sade is all hung up on controlling the family but I have a feeling (from other conversations we have had and writings you have submitted) that you will say that Sade is only being prudent and that their clothes' selection reflect on her.


That might be, but why does Ruthie and the other ladies have to come along? Rush doesn't want to be embarrassed and she doesn't seem to care if he's put into that situation.


SARAH COLE: One of the keys to understanding the relationship between Sade and Rush is that Sade can't get used to the idea that Rush is nearly an adult. A mother can take a child shopping with her friends -- she had probably done it plenty of times when Rush was a little boy. Rush, however, is no longer a child. Although Sade may still think of him as the eight-year-old the Gooks adopted, he is approaching a man's estate, and expects to be treated with adult respect.

In Sade's defense, it has just occurred to me that she has probably never seen a healthy adult parent/child relationship modeled. She had left school to marry, her father was seldom (if ever) mentioned, and her mother died when she was still fairly young. The only behavior she has ever seen is that of adults governing their inexperienced offspring. Discovering that, eventually children expect to govern themselves is a disagreeable surprise to her.


The issue is not that Sade won't let Rush pick his own school clothes (for, no matter what he may think, he is inexperienced in the selection of smart, yet durable attire), but that she treats the process so casually that it is incidental to her real motivation: an afternoon socializing with her friends while shopping. Eventually, the social circle expands to the point where even Sade sees Rush's embarrassing position, though pride, perhaps, keeps her from altering her plans.


Another issue that would influence her decisions is the Depression. In 1939, the country was beginning to emerge from the second dip of the Great Depression (see Amity Shlaes' history of The Forgotten Man). Frugality had been a crucial virtue, and Sade is domestically virtuous! The fact that Vic presumably makes a good salary as head bookkeeper, and that the economy is starting to improve have not occurred to her. Even at the expense of Rush's self-respect, a sale is an opportunity not to be missed.


An ideal solution to the situations in both of these episodes would have been for Sade and Rush to go together to pick out his clothes, with Sade acting as adviser, rather It would have provided a fine opportunity for mother/son bonding. But Sade still has a lot to learn about being a mother; just as Rush has a lot to learn about being a son.

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