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Showing posts with label Milton Welch. Show all posts
Showing posts with label Milton Welch. Show all posts

40-03-08 Rush's Slumber Party Enters by the Window

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON 
Rush's slumber party gets out of hand. There are 12 boys plus Rush.

Rush has tried to do the courteous thing by putting the ladder up to his window, that way it cuts down on the wear and tear of the carpet and prevents the boys from tracking in dirt. What it does though is attract the neighbors, who fear the Gooks might be getting robbed or attacked.

SEE THE SCRIPT
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Thirteen boys can create considerable noise and damage.

Sade is embarrassed the neighbors are calling.

Rush was only trying to do what he thought was the right thing.

39-07-13 Vic Explains How a Doorbell Rings

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON 
Mr. Erickson, the Gook landlord, gifts Sade with a brand new doorbell.  Vic is going to install it but wants to school Sade and Rush on how the thing works.

As usual, they aren't really listening and instead want to either tease Vic or Vic simply isn't explaining it the right way.

Either way, he quietly gets infuriated with them, just as Rush was infuriated with Nicer Scott earlier in the day.

SEE THE SCRIPT
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Nicer claims to have no sense of taste. He also claims to have 89 pairs of pants in cold storage (what is with Paul Rhymer and pants in cold storage?)

Vic says in this episode:
VIC: I know electric bells like I know the palm of my hand. 
This in reference to the doorbell gift Sade received from Mr. Erickson.  Recall there was the time that he could not fix the Donahue doorbell.  And many clocks have alarms, even electric ones.  And we know the problems Vic has with clocks.

39-03-01 Rooster's Block of Theater Seats

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON 
Rooster Davis is about to "rock the foundation of civilization" again with a stunt that's never happened before in the history of the United States: he's going to rope off a big section of the Bijou, come in wearing a big long coat with a fur collar and be the biggest bigshot ever.

Vic and Sade, at first, deduce a scheme to get out of studying, but slowly they are sucked into the drama that Rush is able to create - and by the end of the script Vic and Sade have made plans to go to Bijou to watch the proceedings.

SEE THE SCRIPT
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Paul Rhymer wrote many scripts 1937-1940 where Rush takes the lead role and tells a tantalizing story about one of his friends.  Those stories are some of the best; this one being no exception.

Rooster has a bit of his big brother Rotten inside of him!

36-07-04 Fourth of July Picnic with Old Friends or Stylish Ones

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
Sade and Rush make plans to go on a casual picnic to the local Dillman Dells picnic grounds with Fred, Ruthie and Melvin Stembottom; but when Vic arrives, he tells of an invitation he's received from his boss, Mr. Ruebush, that will put them at a picnic with high society at White's Lake.

Sade would much rather go with the Stembottoms.  Rush, who wants to invite Rooster Davis, also seems to want to go with the Stembottoms.  Vic, on the other hand, wants to go with the high society folks.

SEE THE SCRIPT
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Vic wants to make his way up the ladder at work/society; he sees this as an opportunity to do so since he's been invited by his boss to with him on a holiday.  It may do the Gooks good to rub elbows with the very rich.

But where would Sade be if she were to make all new friends and lose those who already have voted her as the head of the Thimble Club?  Vic, though not rich, already is the Exalted Big Dipper of his social club.  The two, whether they realize it or not, are already somewhat, "high society" - especially to their friends.

Almost all of their friends are blue collar types.  Sade goes on and on telling how proud her sister is of Vic and his position at Consolidated Kitchenware.  Another move up in society would likely lose many friends - is this what they really want?

Dillman Dells is mentioned in this script.  From everything I can gather, it's a picnic area, perhaps near Kickapoo Creek.

39-12-28 A Vic and Sade Christmas Show

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
Rush realizes he has no money to spend on friends and relatives for Christmas, so he devises a plan: switch his savings account over to a checking account and write checks for Christmas.  He and Blue Tooth Johnson have decided that adults will not cash the checks ($25 each!) thinking it to be a ridiculous amount, therefore, no money will ever change hands.

As for friends his age, he will send the checks to their parents, who will not cash the checks, thinking either it's bogus or inappropriate.

SEE THE SCRIPT (This is a pdf file - please give it a minute to load)
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I've never thought about it until now but Rush's scheme to get a hold of his savings account is very much like Vic trying to get a wide-brimmed hat!

This appears to be the first episode for Vic after his first stint with heart trouble and long lay-off.  They let him out of the hospital in time for Christmas, it seems.  Or since "Vic" only uttered one line, perhaps it was another actor.

Though this may have not been him, it does appear that he was around the next day (Christmas.)

35-xx-xx Applying for a $4.80 Refund from the Lodge

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON

Vic realizes that the Sacred Stars of the Milky Way lodge owes him $4.80.  In his quest to get a refund, he has to answer a questionnaire in triplicate.  He gets Sade and Rush to fill out a copy as well to make things easier on himself.

Easy?  Not exactly.  There are 40 questions on each questionnaire.  The questions are personal, invasive and difficult.

After a few minutes of trying to answer the questions, Sade, Rush and then Vic all decide it's a pointless act to fill out the questionnaire and they throw them away.  The $4.80 isn't worth all of that.

SEE THE SCRIPT
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When they lived in Dixon, Vic and Sade lived on West River Street.

The Secretary of the lodge headquarters in Chicago, Illinois is L. B. Washman.

The President of Congress in Charge of Finance for the lodge is J. K. Latimer of Stuckley, Pennsylvania.

The Exalted Auditor of the lodge is Clyman Smurch.

39-07-17 Rush is Reprimanded for Flipping Streetcars

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
RUSH: The dummy-smashing phase 
of my career is over.
Vic and Sade discuss a report from Ruthie Stembottom that Rush, Milton Welch, Rooster Davis and Smelly Clark have been seen jumping on fast-moving streetcars at night, without paying (called, "flipping a streetcar.") Sade mentions Mr. and Mrs. Edgar Foss of 18½ West Market Street. Mr. Foss works at the foundry with Fred. The Stembottoms were visiting on the Foss' front porch when Mrs. Foss mentioned to her husband: "There's those boys again."

Sade's very worried about Rush's safety; Vic tries to soft-pedal the danger.   

Once he realizes he was seen hopping street-cars, Rush admits it's been going on for several years. He says it's funny they've been caught because just last night they'd agreed to quit it as it's seen as being childish and because they got so good at doing it that there's no longer any danger or thrill.
Vic: "There's a certain thrill in flippin' street-cars, Sade."
Rush, though, mentions Vic's initials carved on four different streetcars, ending the conversation...

SEE THE SCRIPT (page 1) (page 2)
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Streetcar flipping may not register with fans today. Today's world is one of kids that age already having an ATV or a car, computer phones and watches, and instant access to almost anything you can imagine - or don't want to imagine - all supplied by parents who seem to have no idea how to raise a child.

Trivia:

+ Another new [probable] movie star is mentioned - Pauline Parkwood.  She's just another movie star whose first and last initials match.

Dizzy Dean
+ Dizzy Dean was mentioned again.  You might recall that Vic teased Fred Stembottom about his admiration for Dean in an earlier episode.

+ Smelly Clark lives somewhere near where the boys flipped the streetcar.

+ Rush uses the term, ''smash a dummy'' for flipping a streetcar. I couldn't find this term anywhere in relation to streetcars.

37-09-02 Lodge Convention Trip Story

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
On a very warm September day, Sade tells the story of how Mis' Appelrot stole Ruthie's thunder about a proposed lodge trip to Hawaii. 

SEE THE SCRIPT (part 1) (part 2)
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Rush says Rooster Davis read a book where "some French explorer was traveling through the Sahara Desert in the blistering sun and the natives began missing him... and so went looking for him; all they found was a small pool of liquid. They poured him into a bottle and took the bottle to France and gave it a decent burial."

The above story is one I really wish I could hear.  I think it would be a 'Rush classic'.

By the way, you may not realize that there is a very high probability that Mis' Appelrot and Ruthie are in-laws. Although, I'm not 100% sure of this.

Hot day?  All three characters in this episode comment about the heat.  The "Heat Wave of 1937" was apparently pretty bad, although I don't have the data to prove it.  I did find a newsreel about it though:


Bess had written a letter to Sade about a month before this (actually, August 9, 1937) which Vic had put into his suit and had forgotten about. It was found in late 1940.

The letter gives details about the very hot 1937 Summer they were experiencing in Carberry: Bess says "The thermometer has been in the 90's even in the evening" and tells of a neighbor up the street "Going barefooted these terrible, hot days."

Below is a special note from Barbara Schwarz attached to the script obtained from the University of Wisconsin library:
Perhaps at the time she obtained the script these details were deemed correct; however, we now know of at least two other episodes involving Hawaii and the lodge, both from 1938 (38-01-10 Hawaiian Islands Itinerary and 38-05-11 Sade Refuses Simple Hawaii Research).

37-07-07 Smelly’s Tonsil Operation

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
In an episode that's very related to the previous one, Smelly Clark is in the hospital about to have a tosilectomy.

Rush, Rooster Davis, LeRoy Snow, Mildred Tisdel and Milton Welch will all be on hand to watch the operation. So, it's a big day for everyone.

SEE THE SCRIPT
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Another great script by writer Paul Rhymer. Smelly is at the mercy of his chums (especially Rush and Mildred) who take his caramels, flowers and virtually triumph in his pain.

It seems though that Smelly is more brave than the other kids, and they will have a tough time trying to take him down a notch.

The script will probably remind you of your childhood and the anticipation of the very simple surgery. [My tonsils grew back and I had to have them out a second time!]

Sade mentions three alarm clocks that Vic had broken.  That's at least six of the alarm clock-variety of clock we know he broke in the show's history.

In a previous episode, Dr. Doud was an eye doctor (or at least one would suspect so.)  It could be that back in the day, family physicians did all kinds of things, including prescribe glasses, pull teeth, etc.

35-06-04 Graduation Day

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
  • After Edwards School graduation ceremonies, Rush arrives home in style - in a taxi-cab, which cost thirty cents.
  • Ruthie Stembottom calls to wish Rush well.  
  • Vic and Sade discuss the ceremony. Rush gave his diploma to Milton Welch to have it framed. During the ceremony, Iggy had been whispering to Rush on sensational stunts they could pull. 
  • Helen Keefer got her diploma just ahead of Choke Dawson.  She cried.
  • Vic mentions Sade cried when Rush got his diploma.  Sade acknowledges she may have snuffled a little.  Rush complains about all the clapping and recalls part of the commencement speech: "He said: Us young people were like silver arrows shot from the strong bow of our lessons into the blue sky of life."
  • Sade loved every minute of the ceremony, which Vic and Rush found tiresome.  Rush to Vic: "You're not oilin' me, Gov!" (i.e., can't fool me)
  • Rush announces he's off to meet chums at The Greek's to talk things over – he says won't be home until 11:30 pm most likely and he would like to have a chat with Vic if he's still up at that hour. Vic slips him five dollars. Rush is stunned.  He kisses Sade goodnight.  "Thanks for the berries, Gov.'"
  • Vic explains to Sade: "We got no little baby around here any more, kiddo. Got a man." - compiled by Barbara Schwarz, edited by Jimbo Mason
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Is Rush really growing up?  Meh.

"We got no little baby around here any more, kiddo. Got a man."  - they never had a baby there, ever.


46-07-25 Moving to Peoria

STARRING: ART VAN HARVEY, BERNARDINE FLYNN, BILL IDELSON AND CLARENCE HARTZELL

Vic comes home with startling rumors: Consolidated Kitchenware Plant Number 14 is moving to Peoria! But Vic is so excited about the "news" that he begins acting rash.
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Not a memorable episode and the sound quality is well-below par.

Trivia:

+ Rush reads from a Third Lieutenant Stanley novel; this one is about counterfeiting diesel engine mechanics!

+ Smelly Clark's grandmother lives in Towanda.

+ Blue Tooth Johnson's father works for the Chicago-Naulton railroad.

+ Both Dismal Seepage, Ohio (Plant #7) and Sweet Esther, Wisconsin (Plant #4) are home to Consolidated Kitchenware Plants.

+ Uncle Fletcher tells the story of Arladeen Hogsflat (perhaps Hogflutch) who loved all states but especially West Virginia. Was an armed guard at the Missouri State Home for the Tall. In 1909, quit that job and became Supervisor of the Laundry at the Ohio State Home for the Bald.

+ Harry Dean makes his "Series 3" debut, bringing Vic a ticket (one-way to Peoria) that he had accidentally left at the interurban station. According to Rush, Dean likes to hang around the station. After Sade finds out Vic has bought a ticket to Peoria, she treats him with ice and has him lay down.

+ Chief Cullerson and Harry Dean both seem familiar with Ike Kneesuffer and seem to be acquainted with indoor horseshoes.

+ The telephone number for Consolidated Kitchenware Plant #14 is #8956-W.  Mr. Ruebush's secretary is Edith Ferris.

+ The lease expiration date for the Consolidated Kitchenware property is May 11, 1976.

Download the complete commercial-free, sound-improved episode!

44-09-25 Saving Blue Tooth from Tragedy

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE

Russell and five of his friends plan to congregate and formulate plans to save Blue Tooth Johnson from the tragedy that is his public adoration of Mildred Tisdel.
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A hard-to-understand episode because of sound quality but one thing you won't miss is that "nature has given ____ (fill in the blank) the beautiful gift of laughter!"

Trivia:

+ Russell is anxious to call Heinie Call on the telephone, despite the fact that in previous shows the two did not get along.

+ Sade said Ruthie accidentally fell asleep in Yamilton's a few days earlier while exchanging stockings (during the downtime between all the red tape.)

+ Blue Tooth wrote Mildred a note, a poem, gave her a birthday present and walked home with her.

Download the complete commercial-free, sound-improved episode!

44-06-30 Russell Stays with Milton Welch

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE

Russell has been invited to spend the night over at Milton Welch's house. Sade realizes how dirty and unprepared he is and insists he go take a bath and take a suitcase with him.
Meanwhile, sleepy Vic tries to get Sade to go upstairs to prepare for bedtime arrival.
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Run-of-the-mill episode.

Trivia:

+ Milton's older sister is Harlene. She is the secretary to Mr. Downer at the bank. She lives at the Welch home.

+ Miss Stormer is also mentioned living at the Welch house. She works in the hat department at Yamilton's.

Download the complete commercial-free, sound-improved episode!

44-06-20 No More Pretty Boy

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND DAVID WHITEHOUSE

Sade is stuck between two conversations she cares nothing about: Vic is constantly reading about the exploits of Willis H. Hunk from his Kitchenware Quarterly paper and Russell goes on and on about LeRoy Snow who is happy because he's getting glasses, a mouth brace, his ears taped down and his head shaved (it's a deterrent to having ladies hugging and kissing him.)
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Trivia:

+ Willis H. Wunk was mentioned for the first time. He works for Consolidated Kitchenware (probably not plant #14) and is someone Vic seems to have a lot of respect for, not only because he is smart but Vic seems to think he's witty. He also got hit by a train once, got up and slapped the engineer.

Here's a quote from Hunk: {{{HEAR}}}

+ Dr. Price was mentioned for the first time. Dr. Price is an optometrist who has an office on Washington Street.

+ According to Russell, LeRoy Snow won six "Beautiful Baby" contests as a baby.

Download the complete commercial-free, sound-improved episode!

41-11-20 Rush Humiliated on Thanksgiving

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON
Nicer Scott has been over at the Gook house and notices that Rush uses a small set of eating utensils; something like a small child would use.   The utensils even have an angel on them.

Nicer takes this information, spreads it across the neighborhood and hopes to smear and humiliate Rush.

Meanwhile, Rush is infuriated with Nicer and plans to go over and "wang him one upside the bean." Instead, he has to answer degrading phone calls that inquire if he does other baby activities.
MIS' CROWE SAYS:

Nicer Scott is at it again. He has discovered a dirty secret about Rush and is spreading it all over town.

I love what this episode says about families, and the way that each family has its own unique quirks that no one ever mentions because they’ve always done something a certain way. It can be either eye-opening or embarrassing to have the outside world come into your private family sphere and look with fresh eyes at the way you do things. It never even occurred to Rush that his little knife and fork were unusual, until someone else called attention to it.

What did you find out was weird about your family later in life? I learned that most families don’t put weird-tasting dead bacteria on their popcorn, that animal skulls are not as widely-used in home decor as I thought, and that cars that don’t work anymore usually go to the junkyard, not just the backyard. 

SEE THE TRANSCRIPT (transcribed by Lydia Crowe)
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Sarah Cole said it best:
[Rush] is in a rage at the neighbor boy, who has passed the word among his friends that Rush eats with a baby knife and fork. As it turns out, Rush DOES eat with baby silverware, because that's what Sade has always put by his plate, and he didn't want to make a fuss about it. His struggle is the struggle we all face, or that remind us of what our children are confronting.
Freedom From Want
Trivia:

+ The episode title mentions Thanksgiving. Although Thanksgiving isn't mentioned on the show, November 20, 1941 was indeed Thanksgiving.

+ It's worth pointing out that this was the very first Thanksgiving since Franklin Roosevelt's famous Four Freedoms speech (January 1941.) The Four Freedoms would be masterfully depicted by Norman Rockwell in 4 paintings two years later, including the famous, "Freedom From Want" Thanksgiving scene.  This was also the last Thanksgiving before rationing and World War II, so this Thanksgiving embodied a freedom from want.
1941 US Postage stamp
You could imagine families talking about this Thanksgiving during the war as the Thanksgiving where various foods were in abundant supply.  In the war years, there would be little butter, sugar, meat etc.

The Japanese would attack Pearl Harbor 17 days from the day this episode aired, forever changing the world and certainly changing Thanksgiving dinners for the next four years.

+ It's well known that Rush dislikes Nicer Scott a lot. So, one wonders why was Nicer over at the Gook house to begin with?  The answer might simply be: Thanksgiving.  Perhaps the Scott family was invited over.

I can imagine a missing episode where Rush protests inviting them over, much like he whined about Nicer having to sleep over when the Scott's had company.

+ Sade is preoccupied reading the paper and about a local wedding.  Mentioned in the list of wedding guests Sade reads is "J. Cadwalader Urquart" - reminding one of "Otis J. Cadwalader" who was Molly's old boyfriend on Fibber McGee and Molly (and played by Gale Gordon both on radio and in the motion picture, "Here We Go Again." )

Oddly, the first Fibber McGee and Molly motion picture was Look Who's Laughing that came out the day after this episode aired.  (November 21, 1941.)

Isn't it likely that Paul Rhymer saw a pre-screening of the film (in Chicago, the home of both Vic and Sade and Fibber McGee and Molly at the time) and was influenced to use the name, which he had heard many times on the radio?  Perhaps the name was used in "Look Who's Laughing?"

+ Sade reads that the bride and groom rode away from the wedding on a motorcycle.  That was probably a very funny idea in 1941 but really doesn't seem that odd today...

+ The back of the fork has "Darling Baby" inscribed on it. Why would the fork say this if Rush was adopted at 7 years old? And if the utensils are for a baby, why are they 2/3rds the size of regular forks and not 1/3rd or smaller?

+ Dismal Seepage, Ohio is mentioned for the first time in the surviving audio. It will later go down in Vic and Sade lore more than places like Grovelman, South Carolina and East Brain, Oregon.

+ It's mentioned that Mr. and Mrs. John M. Weeper lives on South Center Street.  They held the wedding party that Sade read about in the paper.

+ This episode didn't just occur on Thanksgiving, but on the very first Thansgiving that those in the United States observe.

Sade mixes up her metaphors: {{{HEAR}}}

Download the complete commercial-free, sound-improved episode!

40-xx-xx Ice Cream and Salted Peanuts at Midnight

STARRING: ART VAN HARVEY AND BILL IDELSON
Rush gets home late at night and Vic wants to know why.  Seems that Rush and few of his friends have been invited to eat the salted nuts and ice cream that will be left over from the party at the Husher house.

The party isn't quite over, so Rush drops by the house to inform Vic (at 11:20 at night) while his friends are out in the Gook yard, skulking around.

Vic, reluctant at first, lets Rush skulk about a bit longer.  Vic will wait for Rush to get back because the faces, noses and tongues in the windows have frightened him.
MIS' CROWE SAYS:
A carnival atmosphere descends upon Virginia Avenue as Rush and his friends await free snacks at midnight. Vic is disturbed by the turn of events.

This is an old favorite of mine, as I love anything involving Rush’s goofy friends, and Vic’s reaction to the situation lets us see him much more jumpy and on-edge than he usually is. As in “The Davises are Asleep Upstairs,” Vic proves himself to be a little helpless against Rush and his friends when Sade is not around. He is highly flustered by all these people skulking in his yard in the darkness, but he also can’t bring himself to ruin Rush’s summer vacation fun. I doubt he believes himself capable of going up against 12 teenagers anyway.

I wonder what the scene was like at Mr. and Mis’ Husher’s when all 12 boys barged into their kitchen in the middle of the night…
 SEE THE SCRIPT (transcribed by Lydia Crowe)
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Sade is not in this episode but if she would have been, she would have no doubt reminded Rush that, "Ice cream gives nightmares."

Vic and Sade do not like Rush's friends skulking around. Recall a previous episode, where Rush's friends were out in the yard late at night, spooking Vic and Sade.

What's Sade doing? {{{HEAR}}}

+ The kids skulking in the yard are: Blue Tooth Johnson, Smelly Clark, Rooster Davis, Heinie Call, Willis Rohrback, Nicer Scott, LeRoy Snow, Leland Richards, Milton Welch and two new friends to the surviving audio series: Arnold Shipley and Cracky Otto.

+ Arnold Shipley lives on East Emerson Street. Rush owes him 6 cents but Arnold would "call it even" if he could be allowed to enjoy the ice cream and salted nuts with the gang.

+ This is the first time East Emerson is mentioned. There's already been a SOUTH Emerson Street mentioned; one wonders how there could be an EAST Emerson?

+ Rush claims that Willis Rohrback always flattens his nose against windows when he looks in them. Claims that it gives a "pleasent sensation." Rush also claims that Leland Richards presses his tongue against windows.

Download the complete commercial-free, sound-improved episode!

40-04-15 Milton's Dirt in Fruit Jars

STARRING: ART VAN HARVEY AND BILL IDELSON 
Vic is approached by Rush with an idea. Rush tells Vic that Milton Welch has a fruit jar collection. The jars are filled with dirt from various states. He has a total of 11 jars so far.

Milton has offered 10 cents for each additional jar of dirt from the states he doesn't have.

Rush realizes that Vic has connections all over the United States, his affiliation with his job and the Sacred Stars of the Milky Way provide Vic the luxury of knowing people in almost every state of the union and the District of Columbia to boot.  Rush asks Vic to use his influence and friendship with these folks to write them and ask them to send a jar of dirt his way. Milton is lacking 38 states. Add in the bonus of Washington D.C. and that's 39 jars total. That's $3.90 Rush would receive from Milton, enough money for him to pay off a few debts and have pocket money too.

Rush also states that Milton would like each jar to include a seal from a Notary, showing the jars contained dirt from the actual state it's said to contain.

Though Vic admits this is a nice idea, he tells Rush this idea has too many flaws in it to be reasonable:
  • For one thing, Vic would have to write almost 40 letters and they would all have to be personalized and different.
  • Each request would cost a 3 cent stamp, an envelope and stationary.
  • The jars would have to be sent to the Gook house C.O.D. for postage.
  • A Notary generally charges .25 cents for his services.
When Rush realizes his idea is actually an expensive one, he feels a bit dumb.  The $3.80 profit could easily be a $15.00+ boondoggle.
MIS' CROWE SAYS:
Rush has a scheme to make himself a fair bit of extra money. He outlines his plan to Vic.

This is one of those rare Vic and Sade episodes that brings tears to my eyes every time I hear it. The ending is so touching, and the excellent writing and acting communicate every single thing that Rush is going through. The thrilling emotional high, followed by the abrupt and complete crash, and disappointment combined with humiliation in front of the businessman he looks up to the most, and then that overflow of unnameable emotion that we sometimes feel when someone is kind to us in a time of trouble, and all of this felt a little more strongly because Rush is still partly a child — the poor guy is put through the wringer today. I think that you can almost hear Vic struggling to stave off Rush’s tears — hear how his speech speeds up when he tells Rush he is going to reward him for his smartness? That’s the sound of a parent frantically trying to make everything okay for his kid. Aw, shucks…this truly is a Very Special Episode.
SEE THE SCRIPT (transcribed by Lydia Crowe)
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This episode has a very special surprise ending that I dare not share with you.  If you have never heard this episode, I beg of you to download it and have a listen to this gem.  The ending is written and performed so that it can have many interpretations.  It's one of writer Paul Rhymer's best episodes (at least out of the surviving shows) and if you aren't affected by it, then you have no soul.

Spoiler: To see my thoughts (and that of my friend Toby Levy) on the ending, please go here.

Jimbo's alternate commentary
Trivia:

+ Sade is not in this episode.

+ Though the recording seems to mention "Milton Walt" instead of "Milton Welch" this either has to be a mistake by the actors or an audio anomaly.   There has never been a mention of "Milton Walt" in Vic and Sade while Milton Welch has been mentioned many times.

+ Milton seems to already have dirt from Illinois and the surrounding states and had an uncle in New Mexico send him one.

+ This episode mentions many of Vic's friends by name and location.  The members of the lodge mentioned are listed in the Sacred Stars of the Milky Way section of the blog.

"Norris Goff of Hope, Arkansas"
+ Of all the friends mentioned in this episode (and there are quite a few), the most unique is "Norris Goff of Hope, Arkansas."  This is in obvious reference to "Abner" of Lum and Abner radio fame, who was a big fan of the show.  Both Lum and Abner and Vic and Sade were broadcast out of Chicago at this time and it wouldn't surprise me to learn that they used the same studio.

Rush tells Vic that Milton is collecting dirt: {{{HEAR}}}

Download the complete commercial-free, sound-improved episode!

40-04-05 Can Blue Tooth Sue the Bijou?

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON 
Rush asks Vic if Blue Tooth Johnson can sue the Bijou theater.

It seems Blue Tooth's "defective" seat came loose during the show, dropping Blue Tooth like a rock to the theater floor.  He somehow landed on Mrs. Sam Ferberman's foot (she's the mother of the theater manager.)  He spilled paint (that he had purchsed earlier) everywhere and Blue Tooth feels that the incident caused possible nervous shock and high blood pressure.
MIS' CROWE SAYS:
Rush outlines Bluetooth’s plans to sue the Bijou Theater for his possible nervous shock and possible high blood pressure.
Once again, Paul Rhymer predicts the future. Long before the McDonald’s hot coffee lawsuit inspired a string of jokes about our litigious society in the 1990s, long before frivolous lawsuits became a standup comedy cliche, Rhymer wrote this story about Bluetooth Johnson’s attempt to sue the Bijou on account of a defective theater seat that he, himself, made defective through the theft of a nut and bolt. Bluetooth admits that’s a weak link in his case, though. (Oh yeah, and he sneaked into the theater, too.) Most people think of selfish lawsuits as a phenomenon of our modern era, but this episode shows that unchecked litigiousness has, apparently, been a part of the American culture for a long, long time.
VIC: … Oh, by the way — wasn’t it your pal Bluetooth Johnson who was gonna sue the Butler House Hotel dinin’ room a while back?
RUSH: Yeah.
VIC: Quite a fella to sue folks, ain’t he?
RUSH: Bluetooth is an individual that’s determined to stand up for his rights. 
Keep on fighting for your rights, Bluetooth! You are a true American!
SEE THE SCRIPT (transcribed by Lydia Crowe)
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While the story is mostly true, it seems there is a convoluted story involved behind it. Blue Tooth was making a model tank in his basement. He felt on his seat in the theater and realized the screw was like the one he needed for the tank. He unscrewed the bolt, putting the nut and bolt in his pocket.

It wasn't long after that the seat collapsed, causing the chain of events listed earlier.

To top it off, we find that Blue Tooth and Rush didn't even pay to get into the theater as they entered the theater illegally. I'm guessing that there will be no way for Blue Tooth to win his claim.

Trivia:

+ Sylvia Starbrook is the name of the character in Sade's newspaper love story.

+ Sade reads the love story in the paper and realizes it's the same love story chapter from 2 days previous.

The love story in the paper would look a lot like the one below (click it to enlarge it and read it.) The below story was taken from a 1940 Pittsburgh paper but it's a syndicated feature and one of many like it that ran in newspapers across the country in pre-WWII America - probably very much like the one Sade reads in Vic and Sade.


About 1940 or so, the stories started to change a bit. There was often a hint of adultery in some of them.

However, after the attack on Pearl Harbor, entire contexts of newspapers changed (similar to how TV news changed after 9/11, with the scrolling ticker at the bottom of the screen, etc.) and real news became a valuable commodity once again and features like the love story were taken out of most newspapers to provide more space for WWII news. The love stories that did continue often offered a patriotic stance of some sort and infidelity seemed to become non-existent.

After the war, the stories returned to many papers but often took on a much more "mature" look as they would center around widows (many women lost their husbands during the war, as almost a half a million U.S. servicemen lost their lives) or divorce (the strain of war dealt many marriages an untimely blow) or other topics not generally discussed openly in newspapers prior to WWII. And certainly, acts of infidelity increased in these stories.

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40-04-04 Rush Must Make a Call on a Girl

STARRING: ART VAN HARVEY, BERNARDINE FLYNN AND BILL IDELSON 
Rush is going to go over to Anabel Hemstreet's house to help her with her algebra.  His friends are all ribbing him about this, since his friends are at that age when this sort of thing happens -- even though Rush doesn't really seem that interested in Anabel.

Recall though, she did go on and on about his good looks a few episodes back... Also recall that just three episodes back, Rush ended the episode by saying he was gonna find himself a girl.

The kicker is, Sade has promised a bucket of candy to Harold Skimple, a kid who lives 'right on the way' to Anabel's house.  Rush wants no part in the candy because his friends will think he's taking the candy to Anabel.

To top it off, Sade and Vic decide they will go to the Trogels to play cards; Rush thinks his chums will discern that Rush's parents are going "on the date" with Rush!
MIS' CROWE SAYS:
Rush is on his way to Anabel Hemstreet’s house to assist her with algebra study. Of course, his friends are not going to let this go easily. 

Rush and Anabel have an interesting relationship. Anabel doesn’t think Rush is so terrible-lookin’, remember, and Rush works pretty hard to make sure that the whole world knows that Anabel has said this. Later on, in the episode Freedom — Last Day of School, Sade informs Rush that there’s a girl on the phone for him. Rush, with a pleased air, says “Well, well, well…Anabel Hemstreet!” and then seems disappointed when it’s only Eunice Raypole. Still, Rush claims not to be interested in her. I’m pretty sure that he is, but finds it hard to admit this to himself. After all, in his circle of acquaintances, people don’t have girls. 

Poor Rush gets an awful burden sprung on him with this telltale bucket of candy, but he’s obviously so distressed that he’s not thinking straight. PUT THE BUCKET OF CANDY IN A BAG, MAN. Problem solved.
SEE THE SCRIPT (transcribed by Lydia Crowe)
________________________
I used to hate it when at age 12 and I was interested in girls. My older brother would razz and embarrass me. I even socked him in the face once. I'm sure Rush did his share of socking his friends as well after this episode.

Trivia:

+ Sade mentions going to the Bijou to see the picture show but Vic calls Gloria Golden a "fathead."

+ Mis' Harris told Sade that her roomer, Mr. Sludge (whom Vic called a "slob") came home crying after seeing the new Gloria Golden picture.

+ Anabel lives on West Jefferson Street.

+ Almost every 'regular friend' that Rush has was mentioned as waiting for him on the curb: Leland Richards, Smelly Clark, Blue Tooth Johnson, Milton Welch, Heinie Call, Willis Rohrback, Rooster Davis, Leroy Snow and even Nicer Scott.

Vic mocks men who cry: {{{HEAR}}}

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39-12-xx Rush Is Getting On In Years

STARRING: BERNARDINE FLYNN AND BILL IDELSON
14 year-old Rush has come to the conclusion that he is "getting on in years." After telling his mother about how he's getting older and more tired - at the end of the show the phone rings and without hesitation, accepts an invitation to go and play on a trapeze and then play Fox and Geese, a winter chase game.
MIS' CROWE SAYS:
Rush reflects upon entering his golden years with Sade.
RUSH: But, ya know, Mom, I never laughed at that.
SADE: Didn’t ya?
RUSH: No. And that’s another reason why I think I’m gettin’ on in years. I’m more serious, grasp the angle I’m attemptin’ to put across?
SADE: Uh-huh.
RUSH: A year or so ago I woulda let out a great big haw-haw at Smelly and Leroy makin’ fun of Mildred Tisdel. But not anymore. Nowadays I monkey around with deep topics.
SADE: Mm.
RUSH: I leave foolishness to the children.
Oh, Rush. He appears to be entering that most wonderful period of adolescence, where he feels everything much more deeply than everyone else, and no one understands the brevity and futility of life but him. He is about to start wearing all black and writing sad poems and reading lots of Dostoyevsky. Between trips to the YMCA to goof off, of course.

Sade quietly humors Rush throughout this episode. Once again, it’s just her and her son — no Vic, no important adult stuff to attend to — so she listens to him ramble on and on and feels no need to correct him. I love it when we get to hear Rush go on for so long uninterrupted.
SEE THE SCRIPT (transcribed by Lydia Crowe)
________________________
Obviously, Rush is confusing the fact that he's getting older with the fact that he is maturing. But he hasn't quite matured enough to turn down a go at a trapeze or play Fox and Geese!

There's really not a not a lot going on in this episode. For one thing, there is no Vic around to chortle in calling him, "Grandpa" or some such names.

Trivia:

+ Some of the reasons why Rush he's is getting older: felt like taking a nap in the middle of the afternoon, didn't laugh or make fun of Mildred Tisdel's unusual analogies, wasn't dazzled nor didn't laugh at the comical colors or clowns in Yamilton's window, resigned to go to the store and no longer complains,

+ The courthouse is mentioned for the first time.

+ Sade's Uncle Steemer from Dixon is mentioned for the first time. His hair was turning white at the same time he was going bald.

+ Mis' Tarman is mentioned for the first time. She had borrowed Sade's fancy .98 cent apple peeler 3 months prior and just returned it.

+ Mildred told Rush she felt like a violin and a rainbow.

+ Ed Miller is mentioned for the first time. He is 17. Acts like a kid.

+ Rush and Rooster Davis make plans to use the trapeze at the YMCA.

+ Chuck Myers is mentioned for the first time. He is a boy at Rush's school; he makes plans on the telephone with Rush to play Fox and Geese with Rush and Rooster.

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